Contemporary Artist - Stella Loi

Contemporary Artist

 ...the canvas was not a picture, but an event.

- Harold Rosenberg, American poet critic -

Self portrait(Acrylic)

   I paint what I want to paint

     The rules of the art mostly ran against my instincts.  I am seeking “Freedom” from formal conventions.  Sometimes I could not achieve what I want, but I am intending to do so.

     My later works are more emphasized the depiction of emotions rather than objects, “freedom” rather than trying to master perspective and realistic likeness.  With no subject matter, I create peaceful and spiritual works.

     I paint as a pure expression of emotions and mean of visual communication.  The movement united in its spontaneous release of unconscious creativity.  The act of painting I considered as important as the freedom and essence of quality itself, meant to create separate reality from the visual world without any predetermined outcome.

     I am always searches for answers to the question of human existence.  It addresses personal psychological battles, the external struggle between man and nature, and the hunt for spiritual comfort.  All of these concepts expressed through abstraction finding meaning in relating the act of painting with release of subconscious feeling and desires.  The movement had a profound impact for me, particularly in my use of colors, materials, and the composition presents the charged complexes of emotions that are cannot be spoken.    



     我畫我想要畫的畫。

     藝術的規則大多, 針對著我的直覺。我要求“自由”的正式約定。有時候我無法達到我想畫的，但我完全打算這樣做。

     我後來的作品更強調情感，而不是描寫對象，是描繪非凡的“自由"，而不是試圖掌握角度和現實的肖像。由於沒有代表性的題材，創造了平和, 和精神靈魂的繪畫。

     我創作一種純粹的情感和視覺傳達的意思。該描繪是聯合其無意識和自發釋放創造力。我認為是繪畫自由的重要和本身的質量。我想在沒有任何預定和結果的視覺上, 創建獨立的世界。

     我一直在尋找關於對人類生存的答案, 它涉及到個人的心理鬥爭，人與自然之間的爭鬥，和尋找精神上的慰藉。所有這些概念是通過抽象的意義來表達和釋放潛意識的感覺和慾望。抽象世界深遠的影響著我，特別是在我使用的顏色和材料。這種情緒化的概念，無法用言語形容。

Abstract Gallery

a Soul above Material Pleasure

心不在焉的態度,是靈魂的樂趣。